Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas The Dance Class oil


The Dance Class
Painting ID::  789
The Dance Class
1873-76 33 1/2 x 29 1/2 in. (85 x 75 cm) Musee d'Orsay, Paris
   
   
     

Edgar Degas Rehearsal on the Stage oil


Rehearsal on the Stage
Painting ID::  790
Rehearsal on the Stage
1878-79 21.20" x 28.80" Metropolitan Museum of Art, New York
   
   
     

Edgar Degas Ballet Rehearsal on Stage oil


Ballet Rehearsal on Stage
Painting ID::  791
Ballet Rehearsal on Stage
1874 25 5/8 x 31 7/8 in (65 x 81 cm) Musee d'Orsay, Paris
   
   
     

Edgar Degas Dancer with Bouquet oil


Dancer with Bouquet
Painting ID::  792
Dancer with Bouquet
1877
1877
   
   
     

Edgar Degas The Star Dancer on Stage oil


The Star Dancer on Stage
Painting ID::  793
The Star Dancer on Stage
1876-77 Pastel on paper 23 5/8 x 17 3/8 in. (60 x 44 cm) Musee d'Orsay, Paris
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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